Use: lime, wax, paint, plaster, fresco, glaze, cement, fine arts.
This pigment is powder. For use in Artistic painting, it should be finely ground in a mortar before mixing with the binder.
(Brun de Cassel d'Italie with oil)
Flaxseed oil: Dilute the powder in a little turpentine before adding it to linseed oil.
paint with water / lime paste: dilute the pigment in a little water to make it liquid before incorporating it into the paint.
lime powder / cement / plaster: directly incorporate the pigment (up to 10% based on the weight of the binder), then mix in order to stain all of your binder.
Photo on the left: pigment is mixed in the badisof plus (limewash ready to use, which you can find in our decorative range) at the rate of 5% or 50 g of pigment per kilo of whitewash. Right picture: the pigment is mixed in the badisof plus 20% pigment or 200 g per kilo of whitewash.
These renderings can be similar for any white base mixed with this pigment. However, differences will be possible for the use of paints more or less loaded with titanium dioxide (white pigment), which will give a final color more or less clear.
If you want to lighten a pigment, before coloring a transparent binder (linseed oil, wax, acrylic binder, caparol, flour ...), you can mix it with white tiona.
Color: gray brown pulling black with a transparent binder. Medium gray very slightly colored brown with a white binder.
This pigment is 100% natural.
made in Italy (Verona)
History: This land was originally harvested in peat or lignite deposits. Because of its poor resistance to light, it was replaced in the nineteenth century by pigments based on calcined oxides.
We use recyclable PET jars, disposable, clean in the yellow bins.