Use: lime, wax, paint, plaster, fresco, glaze, cement, fine arts.
This pigment is powder.
For use in Artistic painting, it should be finely ground in a mortar before mixing with the binder.
(Orange ercolano with oil)
Flaxseed oil: Dilute the powder in a little turpentine before adding it to linseed oil.
paint with water / lime paste: dilute the pigment in a little water to make it liquid before incorporating it into the paint.
lime powder / cement / plaster: incorporate the pigment directly, then mix in order to stain all of your binder.
recommended dosage: The maximum dosage is 5% relative to the binder used. Above 5%, it is recommended to incorporate fixatives and adjuvants (use lime).
Photo on the left: pigment is mixed in the badisof plus (limewash ready to use, which you can find in our decorative range) at the rate of 5% or 50 g of pigment per kilo of whitewash. Right picture: the pigment is mixed in the badisof plus 20% pigment or 200 g per kilo of whitewash.
These renderings can be similar for any white base mixed with this pigment. However, differences will be possible for the use of paints more or less loaded with titanium dioxide (white pigment), which will give a final color more or less clear.
If you want to lighten a pigment, before coloring a transparent binder (linseed oil, wax, acrylic binder, caparol, flour ...), you can mix it with white tiona.
Color: bright orange and bright with a transparent binder. Orange pink with a white binder.
This pigment is 100% synthetic without danger for health and the environment.
made in Italy .
History: In ancient times, orange was obtained with realgar or orpiment, both very toxic (based on arsenic). After the lead minium, then the chrome orange, we must wait until 1820 for the first real orange to appear at last.
We use recyclable PET jars, disposable, clean in the yellow bins.