Use: lime, wax, paint, plaster, fresco, glaze, cement, fine arts, ceramics, flour painting, suitable for cosmetic use (we do not support approval Ecocert).
This pigment is powder. For use in Artistic painting, it should be finely ground in a mortar before mixing with the binder.
Paint with flour and ocre rouge RFLES
(Ocre rouge RFLES with oil)
Flaxseed oil: Dilute the powder in a little turpentine before adding it to linseed oil.
paint with water / lime paste: dilute the pigment in a little water to make it liquid before incorporating it into the paint.
lime powder / cement / plaster: directly incorporate the pigment (up to 10% based on the weight of the binder), then mix to stain all of your binder
Photo on the left: pigment is mixed in the badisof plus (limewash ready to use, which you can find in our decorative range) at the rate of 5% or 50 g of pigment per kilo of whitewash. Right picture: the pigment is mixed in the badisof plus 20% pigment or 200 g per kilo of whitewash.
These renderings can be similar for any white base mixed with this pigment. However, differences will be possible for the use of paints more or less loaded with titanium dioxide (white pigment), which will give a final color more or less clear.
If you want to lighten a pigment, before coloring a transparent binder (linseed oil, wax, acrylic binder, caparol, flour ...), you can mix it with white tiona.
Color: orange-red brown covering with a transparent binder. Salmon slightly pink with a white binder.
This pigment is 100% natural.
Made in France
History: like the red ocher RFL, which results from the cooking of the yellow ocher JCL, the red ocher RFLES is obtained by the cooking of the yellow ocher JFLES, which is the finest ocher, the most followed and the most charged with iron oxide.
The red ocher is also under the name of: dark red ocher and red ocher of Vaucluse.
We use recyclable PET jars, disposable, clean in the yellow bins.