Use : lime, wax, paint, plaster, fresco, glaze, cement, acrylic, fine arts.
This pigment is in powder. For use in artistic paint, it should be finely ground in a mortar before mixing it with the binder.
Blanc Tiona 595 with linseed oil
Linseed oil : dilute the powder in some turpentine oil before adding it to linseed oil.
Paint with water/lime paste : dilute the pigment in some water to make it liquid before incorporating it into the paint.
Lime powder/cement/plaster : directly incorporate the pigment (up to 10% based on the weight of the binder), then mix in order to stain all of your binder.
Maximum dosage : The maximum dosage is 10% compared to the binder used. Above 10% it is recommended to incorporate fixators and adjuvant (lime use).
Photo on the left : the pigment is mixed in the badisof plus (limewash ready to use which you can find in our decorative range) at the rate of 5% or 50 g of pigment per kilo of whitewash.
Photo on the right : the pigment is mixed in the badisof plus at the rate of 20% or 200 g per kilo of whitewash.
These renderings can be similar for any white base mixed with this pigment. However, differences will be possible for the use of paints more or less loaded with titanium dioxide (white pigment), which will give a final color more or less light.
Color : white which changes depending on dosage and binder used. Tiona titanium white has the highest refractive index of all white pigments so it has a very high covering power.
This pigment is 100% synthetic.
Made in Arabia.
History : Titanium dioxide was called ilmenite after the discovery of large deposits of titanium ore in Ilmen (Russia) during the eighteenth century ; but its use as a pigment starts later, during the 20th century. Because of its qualities (see colors), this pigment has been preferred to other white pigments despite its higher cost.
Our packaging :
We use recyclable PET jars, to throw away, cleaned, in the yellow bins ; and glass jar that you can clean and sterilize for other uses even food.