Use: lime, wax, paint, plaster, fresco, glaze, cement, acrylic. Fine Arts. Can be used in flour painting especially for lightening colors. Very chemically stable. Not affected by light, heat. Does not react with binders or organic solvents.
(Blanc tiona with oil)
The maximum dosage is 10% relative to the binder used. Above 10%, it is recommended to incorporate fixatives and adjuvants.
Photo on the left: pigment is mixed in the badisof plus (limewash ready to use, which you can find in our decorative range) at the rate of 5% or 50 g of pigment per kilo of whitewash. Right picture: the pigment is mixed in the badisof plus 20% pigment or 200 g per kilo of whitewash.
These renderings can be similar for any white base mixed with this pigment. However, differences will be possible for the use of paints more or less loaded with titanium dioxide (white pigment), which will give a final color more or less clear.
If you want to lighten a pigment, before coloring a transparent binder (linseed oil, wax, acrylic binder, caparol, flour ...), you can mix it with white tiona.
Color: white changing depending on dosage and binder used. Tiona titanium white has the highest refractive index of all white pigments, so it has a very high covering power.
This product is 100% synthetic.
Made in Arabia
History: Titanium dioxide was called ilmenite after the discovery of large deposits of titanium ore in Ilmen (Russia) in the late eighteenth century. Its use as a pigment dates back only to the beginning of the 20th century. Because of its qualities (see colors), this pigment has been preferred to other white pigments despite its somewhat high cost.
We use recyclable PET jars, disposable, clean in the yellow bins.