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La Sienne calcinée (= burnt sienna) results from the calcination of natural sienna.
This pigment is 100% natural. 

Pigment made by Ocres de France

Sienne claire, also called "Sahara", is a pigment preparation from natural iron oxides created by Ocres de France. 
This pigment is 94% natural. 

Pigment made by Ocres de France

La Sienne naturelle (= natural Sienna) is of very old use. Before, the Sienna earth came from Italy, near the city of Sienna. It is also found in the Ardennes, Cyprus, Germany, England, Mexico, southern China and India. Since 2017, our Sienna earth is not the same that it used to be before. For any work continuity prior to this date, please contact us.
This pigment is 100% natural. 

Pigment made by Ocres de France

Lime water is the water used to extinguish quicklime. It is therefore still lime-laden but no longer has the white color that inevitably fades the dye. Its transparency makes it possible to create very bright tones without blocking the support.

Alum salt allows to fix the colour, waiting for the dry of the coating or the limewash paint. Plan to put 1 kg of alum salt for 10 kg of lime.
Warning : it does not allow the anchor of the limewash paint on a closed support.

This liquid acrylic binder with water is used to fix the pigments on a support. It is flexible and makes the support washable while keeping some porosity. It is also used as a replacement for a white paint, and makes it possible to obtain the hue of the powdered pigments, which is not the case with a white paint.

Tradical 98 is a slaked calcium lime corresponding to the new European standard E 459.1 (currently CL 90 NF P 15.311). Extremely pure and natural, it is used for the formulation of coatings, mortars and paints for the realization of restoration and conservation works, especially on historical monuments.

Marble powder with 0/350 particle size is a mineral filler sought for its paint uses to give matter to lime paint and coatings (read the long description to know the other possible uses).
Marble powder 0/350 is obtained from a Pyrenean calcite of high chemical purity. It is ground between 0 and 350 microns and then sifted, making it comparable to flour. It is mainly used in stucco, marmorinos, lime coatings, etc.

Marble powder of granulometry 06/1.5 is a mineral filler sought for its uses in paint to give matter to lime paints and coatings (read the long description to know the other possible uses).
Marble powder 06/1.5 is obtained from a Pyrenean calcite of high chemical purity. It has a mixture of grains between 0.6 and 1.5 mm that resembles couscous semolina, making it comparable to the statuary marble of Carrara.

The marble powder 350/630 is a mineral filler sought for its uses in paint to give matter to paints and coatings (read the long description to know the other possible uses).
Marble powder 350/630 is obtained from a Pyrenean calcite of high chemical purity. It is ground between 350 and 630 microns and then sifted, making it comparable to fine salt. It is used in stucco, marmorinos, lime coating, etc.

Marble powder B30 is a mineral filler sought for its paint uses to give matter to lime paints and coatings (read the long description to know the other possible uses).
It is obtained from a Pyrenean calcite of high chemical purity. It is ground to 30 microns and then sifted, making it impalpable, extra fine.

Rénodress is a renovation mortar for outdoor and indoor, pre-mixed lime aerial, hydraulic binder, calcareous loads and specific additives.

Consumption : 1.3 kg/m²/mm thick. Technical data to download below in the section "download".

Rose nude is a natural pigment ideal for fine-arts. INCI : Kaolin - iron oxide.
This pigment is composed of 100% of natural ingredients. Jar of 10gr.
Warning : this pigment is and end of stock.

Pigment made by Ocres de France

De la construction à la rénovation, des travaux légers d'intérieur aux aménagements extérieurs de la maison, cet ouvrage conseille le choix des matériaux et enseigne, étape par étape, dans toutes les techniques de maçonnerie. Ce guide abondamment illustré vous accompagnera pour tous les travaux de la maison.

Vous trouverez dans ce carnet de recettes de quoi mettre la « main à la pâte », de l’expérience des leçons, du savant à la cuisine des couleurs du peintre. Des recettes simples, accessibles, avec des principes que chacun peut adapter à son projet et à son degré d’apprentissage.

Auteur : Conservatoire des ocres et de la couleur. 

You will find in this recipe book a lot of "do it yourself" recipes. Easy, accessible recipes, with principles that each one can adapt to his project and his degree of learning.

Writer : Conservatoire des ocre et de la couleur.

Cet ouvrage retrace l'histoire du tadelakt, évoque ses caractéristiques techniques et esthétiques et présente sa mise en œuvre, qui exige un véritable savoir-faire assorti d'une grande patience. Guidé par l'auteur, chaque lecteur pourra : analyser et préparer ses supports, choisir ses matériaux, identifier les outils nécessaires et le rôle spécifique de chacun d'entre eux, suivre pas à pas l'application du tadelakt en chantier ou sur objet, réaliser un sgraffitte et un zellige.

Auteur : Jamal Daddis.

Utilisée depuis des siècles en Scandinavie puis exportée dans toute l'Europe, la peinture à la farine, aussi appelée peinture suédoise, star des peintures "home made", fait un retour en force auprès d'artisans et d'amateurs passionnés de construction écologique. Découvrez tous les secrets de cette formidable peinture !

Auteur : Nathalie Boisseau.

Ce cahier de recettes, sorti des tiroirs de la Marchande de Couleurs, vous transmet de façon très simple les savoir-faire d'hier et d'aujourd'hui tels que l'utilisation des pigments, la réalisation de badigeons, de stuccos, d'enduits à la chaux, de patines, etc.

Auteur : AM & JC Misset.

Brush for brushed limewash paints. Dimension : 15 cm / width : 5 cm.

Bristle 100% synthetic. Woodood handle. Polypropylene support 160x65 mm. Silkscreen Ocres de France. Ideal for limewash paints, this brush will last very long.