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Bleu Lavande is a pigment preparation created by Ocres de France in 1998, characterized by a great fineness of material. As our company is located in Provence, how to not make a nod to our area ? Because in Provence, we know everything about lavender !
This pigment is synthetic, without any danger for health or the environment. It is composed of 79% natural ingredients.

Pigment made by Ocres de France

Le gris étain (= pewter grey) is a pigment preparation created by Ocres de France in 1998, characterized by a great fineness of material.
This pigment is synthetic, without any danger for health or the environment. It is composed of 99% of natural ingredients.

Pigment made by Ocres de France

Marron glaise is a pigment preparation created by Ocres de France in 1998, characterized by a great fineness of material.
This pigment is synthetic, without any danger for health or the environment. It is composed of 98% natural ingredients.

Pigment made by Ocres de France

Rouge cassis is a pigment preparation created by Ocres de France in 1998, characterized by a great fineness of material.
This pigment is synthetic, without any danger for health or the environment. 

Pigment made by Ocres de France

Vert pistache is a pigment preparation created by Ocres de France in 1998, characterized by a great fineness of matter.
This pigment is synthetic, without any danger for health or the environment. It is composed of 94% of natural ingredients.

Pigment made by Ocres de France

Vert turquoise is a pigment preparation made by Ocres de France in 1998, characterized by a great fineness of matter.
This pigment is synthetic, without any danger for health or the environment. It is composed of 98% natural ingredients.

Pigment made by Ocres de France

Jar of 40 ml (+/- 15 gr). Pigment consisting of fine particles of metal or alloy, to be suspended in a transparent binder suitable for making a paint with metallic pigmentation.

Jar of 40 ml (+/- 30 gr). Pigment consisting of fine particles of metal or alloy, to be suspended in a transparent binder suitable for making a paint with metallic pigmentation.

Jar of 40 ml (+/- 30 gr). Pigment consisting of fine particles of metal or alloy, to be suspended in a transparent binder suitable for making a paint with metallic pigmentation.

Jar of 40 ml (+/- 30 gr). Pigment consisting of fine particles of metal or alloy, to be suspended in a transparent binder suitable for making a paint with metallic pigmentation.

Jar of 40 ml (+/- 15 gr). Pigment consisting of fine particles of metal or alloy, to be suspended in a transparent binder suitable for making a paint with metallic pigmentation.

L'ombre calcinée (= calcinated umber) is a pigment preparation created by Ocres de France, from Sienna earth.
This pigment is 96% natural. 

Pigment made by Ocres de France

L'ombre naturelle (= natural umber), produced by Ocres de France, is not in its natural state because it results from the mixture of several natural pigments. It remains nevertheless a flagship pigment of the range with a high resistance to UV and an indispensable shade in the decoration or patina of the stone.
This pigment is 96% natural. 

Pigment made by Ocres de France

La sienne calcinée (= burnt sienna) results from the calcination of natural sienna.
This pigment is 100% natural. 

Pigment made by Ocres de France

Sienne claire, also called "Sahara", is a pigment preparation from natural iron oxides created by Ocres de France. 
This pigment is 94% natural. 

Pigment made by Ocres de France

La sienne naturelle (= natural Sienna) is of very old use. Before, the Sienna earth came from Italy, near the city of Sienna. It is also found in the Ardennes, Cyprus, Germany, England, Mexico, southern China and India. Since 2017, our Sienna earth is not the same that it used to be before. For any work continuity prior to this date, please contact us.
This pigment is 100% natural. 

Pigment made by Ocres de France

Lime water is the water used to extinguish quicklime. It is therefore still lime-laden but no longer has the white color that inevitably fades the dye. Its transparency makes it possible to create very bright tones without blocking the support.

Alum salt allows to fix the colour, waiting for the dry of the coating or the limewash paint. Plan to put 1 kg of alum salt for 10 kg of lime.
Warning : it does not allow the anchor of the limewash paint on a closed support.

This liquid acrylic binder with water is used to fix the pigments on a support. It is flexible and makes the support washable while keeping some porosity. It is also used as a replacement for a white paint, and makes it possible to obtain the hue of the powdered pigments, which is not the case with a white paint.

Tradical 98 is a slaked calcium lime corresponding to the new European standard E 459.1 (currently CL 90 NF P 15.311). Extremely pure and natural, it is used for the formulation of coatings, mortars and paints for the realization of restoration and conservation works, especially on historical monuments.

Marble powder with 0/350 particle size is a mineral filler sought for its paint uses to give matter to lime paint and coatings (read the long description to know the other possible uses).
Marble powder 0/350 is obtained from a Pyrenean calcite of high chemical purity. It is ground between 0 and 350 microns and then sifted, making it comparable to flour. It is mainly used in stucco, marmorinos, lime coatings, etc.